quotations about writing
There is, as yet, no Act of Parliament compelling a bona fide traveler to read. If you wish him to read, you must make reading pleasant. You must give him short views, and clear sentences.
WALTER BAGEHOT
Literary Studies
Any writer, in whatever form, must first pass through the stage of being a reader. It is unimaginable that someone could become a writer without first being a reader. Only a daydreamer who had fallen into an unhealthy idealism could exoticize a writer in this way. Such misperception is similar to believing that thought is possible without language.
KOBO ABE
The Frontier Within
Writing, in whatever form, is your own personal progress report. There's nothing I love more than curling up with tea and reading back over my past, error-riddled posts. It's an indescribable connection that you simply can't get from a photo or memory alone. Think of it as the only true insight your future self has into you, as you are today. Blog for yourself and the rest will follow.
BIANCA BASS
"Why You Should Write (Even If It Feels Like Nobody Is Listening)", Huffington Post, February 29, 2016
Well, the secret to writing is writing. It's only a secret to people who don't want to hear it. Writing is how you be a writer.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
My father really taught me that you really develop the habit of writing and you sit down at the same time every day, you don't wait for inspiration. You sit down, it helps your subconscious understand that it's time to start writing and to relax down into that well of dream material and memory and imagination. So, I sit down at the exact same time every day. And I let myself write really awful first drafts of things. I take very short assignments; I will capture for myself in a few words what I'm going to be trying to do that morning, or in that hour. Maybe I'm going to write a description of the lake out in Inverness in West Marin, where I live. And so I try to keep things really small and manageable. I have a one-inch picture frame on my desk so I can remember that that's all I'm going to be able to see in the course of an hour or two, and then I just let myself start and it goes really badly most mornings; as it does for most writers.
ANNE LAMOTT
interview, Big Think, April 6, 2010
Well, there are certain stock words that I have found myself using a great deal. When I become aware of them, it is an alarm signal meaning I am falling back on something that has served in the past--it is a sign of not thinking at the present moment, not that there is anything intrinsically bad about certain words or phrases.
JOHN ASHBERY
interview, The Paris Review, winter 1983
I cannot and do not live in the world of discretion, not as a writer, anyway. I would prefer to, I assure you -- it would make life easier. But discretion is, unfortunately, not for novelists.
PHILIP ROTH
Deception: A Novel
Whenever they tell me children want this sort of book and children need this sort of writing, I am going to smile politely and shut my earlids. I am a writer, not a caterer. There are plenty of caterers. But what children most want and need is what we and they don't know they want and don't think they need, and only writers can offer it to them.
URSULA K. LE GUIN
"A Message About Messages", CBC Magazine
You keep working on your piece over and over, trying to get the sections and paragraphs and sentences and the whole just right, but there's a point at which you can tell you've begun hurting the work with your perfectionism. Then you have to release the work to new eyes.
ANNE LAMOTT
"Q&A: Anne Lamott", San Diego Magazine, January 27, 2014
My approach to revision hasn't changed much over the years. I know there are writers who do it as they go along, but my method of attack has always been to plunge in and go as fast as I can, keeping the edge of my narrative blade as sharp as possible by constant use, and trying to outrun the novelist's most insidious enemy, which is doubt.
STEPHEN KING
foreword, The Gunslinger
No reason at all why one should go on writing just for the sake of it. I think it is very important to stop when you haven't got anything to say.
JULIAN BARNES
The Paris Review, winter 2000
The chief advantage that ancient writers can boast over modern ones, seems owing to simplicity. Every noble truth and sentiment was expressed by the former in the natural manner; in word and phrase, simple, perspicuous, and incapable of improvement. What then remained for later writers but affectation, witticism, and conceit?
WILLIAM SHENSTONE
Essays on Men and Manners
You have an idea in mind of what you want to achieve when you sit down to write something. It takes many years to accept that you will always fall short of that. Maybe now I can write the book that I might have had in mind five or twenty years ago. You're always lagging behind your best ideas.
TOBIAS WOLFF
The Missouri Review, 2003
When it's going well [writing] goes terribly fast. It isn't at all surprising to write a chapter in a day, which for me is about twenty-two pages. When it's going badly, it isn't really going badly; it's just the beginning.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.
JOHN BANVILLE
attributed, Irish Writers and Their Creative Process
So much of a novelist's writing, as I have said, takes place in the unconscious: in those depths the last word is written before the first word appears on the paper. We remember details of our story, we do not invent them.
GRAHAM GREENE
The End of the Affair
I don't begin a novel with a shopping list--the novel becomes my shopping list as I write it. It's like that joke about the violin maker who was asked how he made a violin and answered that he started with a piece of wood and removed everything that wasn't a violin. That's what I do when I'm writing a novel, except somehow I'm simultaneously generating the wood as I'm carving it.
WILLIAM GIBSON
The Paris Review, summer 2011
Don't write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen.
JACK LONDON
"Getting Into Print", Editor magazine, 1903
There is a realm of possible knowledge which can be reached by artists, which is not susceptible of mathematical verification but which is true. This is sometimes spoken as the ineffable. If there is any word I detest in the language, this would be it, but the fact that it exists, the word ineffable, is suspicious in that it suggests that there might be something that is ineffable. And I believe that that's the place artists are trying to get to, and I further believe that when they are successful, they reach it.
DONALD BARTHELME
"A Symposium of Fiction"
It is usual that the moment you write for publication--I mean one of course--one stiffens in exactly the same way one does when one is being photographed. The simplest way to overcome this is to write it to someone, like me. Write it as a letter aimed at one person. This removes the vague terror of addressing the large and faceless audience and it also, you will find, will give a sense of freedom and a lack of self-consciousness.
JOHN STEINBECK
The Paris Review, fall 1975