WRITING QUOTES XIV

quotations about writing

A writer should be able to express himself easily, naturally, copiously in a form that frees his mind, his energies. Why should he hobble himself with formalities?

SAUL BELLOW

The Paris Review, winter 1966


You know nobody's ever going to see the stuff, but you have to write through it. You're just trying to satisfy some grim, barren mandate. There's probably a German word for that.

JOHN JEREMIAH SULLIVAN

The Paris Review, winter 2012


Everybody writes a book too many.

MORDECAI RICHLER

"Sayings of the Week", The Observor, January 9, 1985

Tags: Mordecai Richler


In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well oiled in the closet, but unused.

ERNEST HEMINGWAY

preface, The First Forty-Nine Stories


I consider a story merely as a frame on which to stretch my materials.

WASHINGTON IRVING

introduction, Tales of a Traveler

Tags: Washington Irving


Writing, in war and in peace, is the same thing. The only difference is how you view yourself.... Mass death, revolutions and history make you reconsider things.

KHALED KHALIFA

"Syrian novelist Khaled Khalifa tells the stories of a bleeding, beautiful country", Syria Direct, March 23, 2017


I believe in writing somewhat quickly, getting the story down; it can be bad, it can be a mess, but the key thing is to get it down.

JEFF ABBOTT

"Rules of Fiction with Jeff Abbott", Suspense Magazine, January 19, 2017

Tags: Jeff Abbott


The factors controlling a writer's popularity are as mysterious and ultimately as unknowable as the number of stars in the sky.

SAMUEL R. DELANY

interview, SF Site, April 2001

Tags: Samuel R. Delany


Good writers define reality; bad ones merely restate it.

EDWARD ALBEE

Saturday Review, May 4, 1966


I like to have a thing suggested rather than told in full. When every detail is given, the mind rests satisfied, and the imagination loses the desire to use its own wings. The partly draped statue has a charm which the nude lacks. Who would have those marble folds slip from the raised knee of the Venus of Melos?

THOMAS BAILEY ALDRICH

Ponkapog Papers

Tags: Thomas Bailey Aldrich


The writer must believe that what he is doing is the most important thing in the world. And he must hold to this illusion even when he knows it is not true.

JOHN STEINBECK

New York Times, June 2, 1969

Tags: John Steinbeck


The reason I write so slowly is because I try never to leave a sentence until it's as perfect as I can make it. So there isn't a word in any of my books that hasn't been gone over 40 times.

TOM ROBBINS

"In the Creative Process with Tom Robbins; Perfect Sentences, Imperfect Universe", New York Times, December 30, 1993

Tags: Tom Robbins


In his text, the writer sets up house. Just as he trundles papers, books, pencils, documents untidily from room to room, he creates the same disorder in his thoughts. They become pieces of furniture that he sinks into, content or irritable.

THEODOR W. ADORNO

Minima Moralia


This is a slow business to have success in. There are exceptions, but for the most part it's kind of like the last writer standing.... I've got gray. I've got plenty of gray. I'm creating a career slowly, like a coral reef.

ROBERT REED

Lincoln Journal Star, January 11, 2004

Tags: Robert Reed


Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.

JOHN BANVILLE

attributed, Irish Writers and Their Creative Process


For me, everyone I write of is real. I have little true say in what they want, what they do or end up as (or in). Their acts appall, enchant, disgust or astound me. Their ends fill me with retributive glee, or break my heart. I can only take credit (if I can even take credit for that) in reporting the scenario. This is not a disclaimer. Just a fact.

TANITH LEE

interview, Innsmouth Free Press, November 17, 2009


The industry is a terrible, cold place run by people who love to tear writers apart. Rejection is the norm, which means writing is the act of falling madly, deeply in love with your characters and story, even knowing you'll probably get your heart broken for it.

COREY MANDELL

"Beware the Writing Zombies", Huffington Post, February 25, 2016


Don't write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen.

JACK LONDON

"Getting Into Print", Editor magazine, 1903


Think what it would mean if you could teach, or if you could learn the art of writing. Why, every book, every newspaper you'd pick up, would tell the truth, or create beauty. But there is, it would appear, some obstacle in the way, some hindrance to the teaching of words. For though at this moment at least a hundred professors are lecturing on the literature of the past, at least a thousand critics are reviewing the literature of the present, and hundreds upon hundreds of young men and women are passing examinations in English literature with the utmost credit, still -- do we write better, do we read better than we read and wrote four hundred years ago when we were un-lectured, un-criticized, untaught?

VIRGINIA WOOLF

"Words Fail Me", BBC radio, April 29, 1937

Tags: Virginia Woolf


It's very unlikely that a writer is going to make a living by writing. So then the question is: how do you balance work, life, and writing? If you find out, please tell me.

KELLY LINK

interview, Apex Magazine, July 2, 2013

Tags: Kelly Link