WRITING QUOTES VII

quotations about writing

A great writer has a high respect for values. His essential function is to raise life to the dignity of thought, and this he does by giving it a shape.

ANDRÉ MAUROIS

The Art of Writing

Tags: André Maurois


Once writing has become your major vice and greatest pleasure only death can stop it.

ERNEST HEMINGWAY

The Paris Review, spring 1958


To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

MARK TWAIN

"How to Tell a Story"

Tags: Mark Twain


Writing in English is the most ingenious torture ever devised for sins committed in previous lives. The English reading public explains the reason why.

JAMES JOYCE

letter to Fanny Guillermet, September 5, 1918

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I'm glad that I didn't have the Internet when I started writing. I started writing when I was 20 and didn't show a word of it to anyone until I was 28. I had the sense to keep it to myself. Now the temptation with blogs and such, they're just getting it out there; maybe it would have been best to keep it to themselves.

DAVID SEDARIS

interview, Bohemian, June 2009


Rewrite, rewrite, rewrite, don't be precious about your first draft, it's an architectural blueprint to a whole building, be your own worst critic, confront your weakness and remember it's a craft.

TOBSHA LEARNER

interview, Booktopia, February 22, 2011

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You don't have to be a good person to be a good writer--history shows it's better if you're not--but you have to understand your badness.

PETER ABRAHAMS

End of Story

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When a good writer is having fun, the audience is almost always having fun too.

STEPHEN KING

Entertainment Weekly, August 17, 2007

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When we attempt to articulate our tender feelings in writing, we enter an inner dialogue of self-exploration: we forage for the more precise word, the more resonant phrasing. If the writing is done with particular care and attention, there is a Goldilocks quality to it: We rustle through an assortment of terms, discarding one, perhaps as "too weak" or another "too ordinary" until we settle upon the one that is "just right". In doing so, we have discovered something about ourselves.

DANIEL GRIFFIN

"Don't Tell Him You Love Him... Put It in Writing", Huffington Post, February 15, 2016


For me, everyone I write of is real. I have little true say in what they want, what they do or end up as (or in). Their acts appall, enchant, disgust or astound me. Their ends fill me with retributive glee, or break my heart. I can only take credit (if I can even take credit for that) in reporting the scenario. This is not a disclaimer. Just a fact.

TANITH LEE

interview, Innsmouth Free Press, November 17, 2009


He who will not listen to any advice, nor be corrected in his writings, is a rank pedant.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

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There is a part of me in every character, naturally. That's why novelists rarely write good autobiographies. You start one and it becomes another novel.

JOHN DOS PASSOS

New York Times, November 23, 1941


I hardly ever work from a synopsis -- I find they act like chains.

TANITH LEE

Realms of Fantasy, August 2009

Tags: Tanith Lee


When you finish one book, you don't want to just write the same book again.

JEFFREY EUGENIDES

Slate, October 10, 2011


The art is never about what you write about. The art is about how you write about what you write about.

CHRIS ABANI

attributed, Stylistic Approaches to Nigerian Fiction

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I'm grateful when stories come in a rush, although I keep an eye on them afterwards, to see whether they hold together. It's harder to judge the ones that took so long to finish. With those, I've lost perspective. Mostly I'm just glad that I can be done with them.

KELLY LINK

"Words by Flashlight", Sybil's Garage, June 7, 2006

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I consider a story merely as a frame on which to stretch my materials.

WASHINGTON IRVING

introduction, Tales of a Traveler

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It's not a bad thing for a man to have to live his life--and we nearly all manage to dodge it. Our first round with the Sphinx may strike something out of us--a book or a picture or a symphony; and we're amazed at our feat, and go on letting that first work breed others, as some animal forms reproduce each other without renewed fertilization. So there we are, committed to our first guess at the riddle; and our works look as like as successive impressions of the same plate, each with the lines a little fainter; whereas they ought to be--if we touch earth between times--as different from each other as those other creatures--jellyfish, aren't they, of a kind?--where successive generations produce new forms, and it takes a zoologist to see the hidden likeness.

EDITH WHARTON

"The Legend", Tales of Men and Ghosts

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When I write, I feel like an armless, legless man with a crayon in his mouth.

KURT VONNEGUT

attributed, The Biteback Dictionary of Humorous Literary Quotations

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It is the specialist's task to talk about means, about centimeters. An artist's task is to talk about the goal, about kilometers, thousands of kilometers. The organizing role of art consists of infecting the reader, of arousing him with pathos or irony -- the cathode and anode in literature. But irony that is measured in centimeters is pathetic, and centimeter-sized pathos is ridiculous. No one can be carried away by it. To stir the reader, the artist must speak not of means but of ends, of the great goal toward which mankind is moving.

YEVGENY ZAMYATIN

The Goal

Tags: Yevgeny Zamyatin