JAMES BALDWIN QUOTES IV

American novelist (1960- )

I am what time, circumstance, history, have made of me, certainly, but I am, also, much more than that. So are we all.

JAMES BALDWIN

Notes of a Native Son

Tags: history


One of the most American of attributes: the inability to believe that time is real. It is this inability which makes them so romantic about the nature of society, and it is this inability which has led them into a total confusion about the nature of experience.

JAMES BALDWIN

Notes of a Native Son

Tags: nature


I guess it can’t be too often that two people can laugh and make love, too, make love because they are laughing, laugh because they’re making love. The love and the laughter come from the same place: but not many people go there.

JAMES BALDWIN

If Beale Street Could Talk

Tags: love


Perhaps home is not a place but simply an irrevocable condition.

JAMES BALDWIN

Giovanni's Room


You haven’t got to be in love every time you go to bed.

JAMES BALDWIN

Another Country

Tags: love


I remember what it was ... to be young, very young. When everything, touching and tasting--everything--was so new, and even suffering was wonderful because it was so complete.

JAMES BALDWIN

Another Country

Tags: suffering


Love does not begin and end the way we seem to think it does. Love is a battle, love is a war; love is a growing up.

JAMES BALDWIN

"In Search of a Majority"

Tags: love


All over Harlem, Negro boys and girls are growing into stunted maturity, trying desperately to find a place to stand; and the wonder is not that so many are ruined but that so many survive.

JAMES BALDWIN

Notes of a Native Son

Tags: maturity


Love brought you here. If you trusted love this far, don't panic now.

JAMES BALDWIN

If Beale Street Could Talk

Tags: love


Those kids aren't dumb. But the people who run these schools want to make sure they don't get smart: they are really teaching the kids to be slaves.

JAMES BALDWIN

If Beale Street Could Talk

Tags: kids


You begin to see that you yourself, innocent, upright you, have contributed and do contribute to the misery of the world. Which will never end because we’re what we are.

JAMES BALDWIN

Another Country

Tags: misery


Love was a country he knew nothing about.

JAMES BALDWIN

Another Country


He had often watched her as she crossed the floor in her checkered apron, her face a dark mask behind which belligerence battled with humility. This was in her eyes which never for an instant lost their wariness and which were always ready, within a split second, to turn black and lightless with contempt.

JAMES BALDWIN

Another Country

Tags: contempt


Whenever he was uncomfortable -- which was often -- his arms and legs seemed to stretch to monstrous proportions and he handled them with bewildered loathing, as though he had been afflicted with them.

JAMES BALDWIN

Another Country


The primary distinction of the artist is that he must actively cultivate that state which most men, necessarily, must avoid: the state of being alone.

JAMES BALDWIN

The Price of the Ticket

Tags: artists


Heavenly witnesses are a tricky lot, to be used by whoever is closest to Heaven at the time. And legend and theology, which are designed to sanctify our fears, crimes, and aspirations, also reveal them for what they are.

JAMES BALDWIN

The Fire Next Time

Tags: Heaven


We had crossed from death into what certainly sounded like life. And not only did it sound like life, it looked like life; and not only did it look like life, it looked like a particular life, a life which was a particular reproach to me.

JAMES BALDWIN

Tell Me How Long the Train's Been Gone

Tags: life


Our dehumanization of the Negro then is indivisible from our dehumanization of ourselves: the loss of our own identity is the price we pay for our annulment of his.

JAMES BALDWIN

Notes of a Native Son

Tags: identity


It is not Bigger whom we fear, since his appearance among us makes our victory certain. It is the others, who smile, who go to church, who give no cause for complaint, whom we sometimes consider with amusement, with pity, even with affection--and in whose faces we sometimes surprise the merest arrogant hint of hatred, the faintest, withdrawn, speculative shadow of contempt--who make us uneasy; whom we cajole, threaten, flatter, fear; who to us remain unknown, though we are not (we feel with both relief and hostility and with bottomless confusion) unknown to them.

JAMES BALDWIN

Notes of a Native Son

Tags: appearance


It is the question of Bigger's humanity which is at stake, the relationship in which he stands to all other Americans--and, by implication, to all people--and it is precisely this question which it cannot clarify, with which it cannot, in fact, come to any coherent terms. He is the monster created by the American republic, the present awful sum of generations of oppression; but to say that he is a monster is to fall into the trap of making him subhuman and he must, therefore, be made representative of a way of life which is real and human in precise ratio to the degree to which it seems to us monstrous and strange.

JAMES BALDWIN

Notes of a Native Son

Tags: monster