quotations about art
Every artist joins a conversation that's been going on for generations, even millennia, before he or she joins the scene.
JOHN BARTH
attributed, Writers Dreaming
It is hard to convey the night-waking, body-trembling experience of putting a creation of one's soul out into the world for acceptance and rejection.
DOUGLAS CARLTON ABRAMS
guest post, The Dark Phantom, October 29, 2008
Real art, like the wife of an affectionate husband, needs no ornaments. But counterfeit art, like a prostitute, must always be decked out. The cause of production of real art is the artist's inner need to express a feeling that has accumulated, just as for a mother the cause of sexual conception is love. The cause of counterfeit art, as of prostitution, is gain. The consequence of true art is the introduction of a new feeling into the intercourse of life, as the consequence of a wife's love is the birth of a new man into life. The consequences of counterfeit art are the perversion of man, pleasure which never satisfies, and the weakening of man's spiritual strength.
LEO TOLSTOY
What Is Art?
The arts stop society going rotten and mad.
VANESSA REDGRAVE
interview, FT Magazine, Apr. 26, 2013
All art is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story, to vomit the anguish up.
JAMES BALDWIN
Esquire, April 1960
Art is awkward until technique has become an unconscious habit.
AUSTIN O'MALLEY
Keystones of Thought
The final purpose of art is to intensify, even, if necessary, to exacerbate, the moral consciousness of people.
NORMAN MAILER
Western Review, winter 1959
There is no abstract art. You must always start with something. Afterward you can remove all traces of reality.
PABLO PICASSO
Picasso on Art: A Selection of Views
When Nature begins to reveal her open secret to a man, he feels an irresistible longing for her worthiest interpreter, Art.
JOHANN WOLFGANG VON GOETHE
The Maxims and Reflections of Goethe
All forms of madness, bizarre habits, awkwardness in society, general clumsiness, are justified in the person who creates good art.
ROMAN PAYNE
Rooftop Soliloquy
Art ... is a foreign city, and we deceive ourselves when we think it familiar.
JEANETTE WINTERSON
Art Objects
Art is the method of levitation, in order to separate one's self from enslavement by the earth.
ANAIS NIN
The Journals of Anais Nin
But art consists not so much in the knowledge of principles, as in the manner of applying them; to reveal them to ignorant people is to put a razor in the hand of a monkey.
HONORÉ DE BALZAC
Physiology
I start a picture and I finish it. I don't think about art while I work. I try to think about life.
JEAN-MICHEL BASQUIAT
"Riding with Death: The Final Years", Jean-Michel Basquiat: 1960-1988
Like any artist without an art form, she became dangerous.
TONI MORRISON
Sula
Nature is a haunted house -- but Art -- a House that tries to be haunted.
EMILY DICKINSON
letter to T. W. Higginson, 1876
Nothing is really so poor and melancholy as art that is interested in itself and not in its subject.
GEORGE SANTAYANA
The Life of Reason
Now the culture is made of old things, it's a collage. Art made out of art is not art. You're supposed to make art out of life.
FRAN LEBOWITZ
interview, Paper Magazine, September 17, 2014
The idea of a new art based upon science, in opposition to the art of the old world that was based on imagination, an art that should explain all things and embrace modern life in its entirety, in its endless ramifications, be, as it were, a new creed in a new civilization, filled me with wonder, and I stood dumb before the vastness of the conception, and the towering height of the ambition.
GEORGE MOORE
Confessions of a Young Man
The work of art is a scapegoat surplus product, a dispensable cliche of form and meaning, having only the value the spectator--the symbol of society at large--gives it as he encounters it in the no man's land of the gallery or museum. He victimizes it and is victimized by it; he is ambivalent about it as it is in itself. It has a certain amount of authority, yet no more than he gives it by channeling his life-energy in its forms. In other words, it forces him to recognize his own authoritarian style, i.e., his tendency to treat his own identity as a finished form, but at the same time possessed of an energy that contradicts that form by reaching for other identities. The work of art teaches the spectator that he too is communal cliche and unfinished expression.
DONALD BURTON KUSPIT
Redeeming Art: Critical Reveries